
FIXER MAGAZINE
/ A chemical substance used for fixing a photographic image /
/ A person who makes arrangements for other people, specially of an illicit or devious kind /
/ A new space to talk, share and store our devotion to the image /
ROBERT HÉBRAS WAS HERE. A PHOTO BY ROBERTO MATA, 2017

BOOK REVIEW: Brassai - Paris by Night
To photograph the night is to start with a black canvas, a brush of light here and there that reveals you glimpses of sight. What is revealed is seen in relation to the darkness that surrounds it: the night was the common denominator for “The Eye of Paris”, the nickname Henry Miller gave his friend Gyula Halász, better known by the single word Brassaï.

212: I learned to do everything thanks to YouTube videos
I feel that defining it is limiting it, today it makes me feel nostalgic and connected, but in in a few months, I will probably define it differently.
PHOTO CONFESSIONAL: Hyun Suk Kim
I’m a full-time homemaker, but I sometimes dream of becoming a creator if I get the chance. I love to imagine and come up with unique ideas, which I think would suit the creative profession well.

ACCENT, METER AND TEMPO: RE BY CAFÉ TACVBA
Though this album is commonly likened to The Beatles’ White Album in terms of its effect on latin rock, a more close musical comparison is found in Ween’s The Mollusk.

PHOTO CONFESSIONAL: Tony Chirinos
Tony Chirinos is a Venezuelan-born photographer and educator based in Miami, with over forty years of experience focusing on the themes of death and the vulnerability of life. He holds a Master of Fine Arts from Columbia University and has received numerous accolades, including the prestigious John Simon Guggenheim Memorial Fellowship in 2023. His work has been exhibited widely and is part of several notable collections, reflecting his commitment to challenging viewers' perceptions of mortality through documentary-style photography.

212: From coffee vendor to photographer
Documentary photographer and member of the Cacri Photos Collective. He has worked on short- and long-term documentary projects, collaborating with national media outlets such as 'Historias que Laten' and international outlets like 'Reuters.'

PHOTO CONFESSIONAL: Celia D Luna
I would be a healer or a singer in a psychedelic cumbia band. Maybe a Sha(wo)man who puts together beautiful healing experiences by day and a singer with the best outfits by night.

PHOTO CONFESSIONAL: Rory Doyle
Doyle's work has been published in The New York Times, Washington Post, Smithsonian Magazine, Wall Street Journal, Reuters, ProPublica, ESPN, The Guardian, Politico, CNN and numerous outlets.
THE KIOSK: Darién
The Kiosk is our humble way of supporting fellow photographers who contribute with their photobooks to build visual culture.
Darien, the photobook by Federico Rios, collects migrants travels, their journeys and their faces, their tormented and anguished steps, full of uncertainty and also of hope. This project seeks to provide a visual account of migration.
PHOTO CONFESSIONAL: Sarah Pabst
WHAT WOULD YOU NOT WANT TO PHOTOGRAPH?
I've photographed a wide range of topics, and my interests are very diverse. But there are moral limits - I'd always keep my (and the general) code of ethics. First of all, I am human.
PHOTO CONFESSIONAL: Federico Ríos
Ríos is a photojournalist who has published numerous works on Latinamerica, the armed conflict, environment and its relationship with society.

MOVIE GUIDE: ZONE OF INTEREST
Evil has many faces, here the worst one is apathy disguised as fulfilling a duty.

PHOTO CONFESSIONAL: Craig Win
“I am posting my photos, at least one a day, for thirty two days on Instagram. It’s only because of a challenge from a friend, but doing so is also personally important. I’ve had a camera strapped around my neck for 55 years, ever since I was six years old walking around the block taking pictures of grasshoppers. I have rarely shown my black and white images. They are too personal. But they are now going up. People are peeking under the covers looking at these things on “throughmylefteye.” The response has been surprising. Now the only question is, will there be a day thirty three. We’ll see”.

BOOK REVIEW: to photograph is to learn how to die
BOOK REVIEW: TO PHOTOGRAPH IS TO LEARN HOW TO DIE an essay with digressions by
Tim Carpenter

PHOTO CONFESSIONAL: Fabiola Ferrero
I question myself on daily basis. Thankfully, I have two friends and a therapist that hear about it constantly and give me perspective. Although you have to be careful to not torment yourself, you HAVE to question your practice often, otherwise you might miss important ethical issues or make more mistakes than necessary.

MOVIE GUIDE: Show Me The Picture
“… I always have loved cars, guns and cameras. Cars and guns have got me in trouble. Cameras
haven’t…”

ACCENT, METER AND TEMPO: Silent Hill 2 by Akira Yamaoka
Stephen Malkmus is not a very technically good singer, but his lyrics and emotion grant him incredible credibility

PHOTO CONFESSIONAL: Silvana Trevale
I am always really honest about what I am trying to approach with the photographs or what the project is about. Sometimes people will say no, but when you are genuine with your intentions people feel that and they are vulnerable with you

PHOTO CONFESSIONAL: Kike Arnal
I thought I was a photographer before I really knew how to take pictures. I believe I started being a photographer for real when I moved to New York in the late nineties. Join us in this article to discover the work and process behind Kike Arnal.

PHOTO CONFESSIONAL: Alejandro Cegarra
We want to congratulate Alejandro for his North and Central America Long-term Project World Press Photo Award 2024 and share with you his Photo Confessional